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Simon Schama

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Simon Schama was born in 1945. The son of a textile merchant with Lithuanian and Turkish grandparents, he spent his early years in Leigh-on-Sea in Essex. When his parents moved to London he won a scholarship to Haberdashers’ Aske’s School where his two great loves were English and History. Forced to choose between the two he opted to read history at Christ’s College, Cambridge. Here he was taught by Sir John Plumb whose other students: Linda Colley, Roy Porter and John Brewer are now central to British historical thought. It was Plumb’s influence which instilled in him the importance of narrative and written style in order to gain an audience for history outside academia. One of the hallmarks of Schama’s work is his flair for description: ‘he gets arcane matters to walk, in fact dance, off the page’ according to fellow historian Peter Hennessy. However, his approach is contentious and invites criticism of subjectivity and populism from academic circles. Schama remained at Christ’s for 10 years after his degree, becoming a fellow and then director of Studies, before moving to Brasenose College Oxford. While at Oxford he wrote Patriots and Liberators: Revolution in the Netherlands 1780-1813 , which won the Wolfson Literary Award, and Two Rothschilds and the Land of Israel . At Oxford he met his wife, Ginny Papaioannou a geneticist from California.

Tired of the Oxford system and enticed by the freedom of US Academic life, he moved to America in 1980, becoming Professor of History at Harvard. Here he wrote The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age , Citizens: A Chronicle of the French Revolution and Dead Certainties : an a unusual linking of the death of General Wolfe at Quebec in 1759 and the murder of a doctor, George Parkman, by a Harvard Professor in 1849. Citizens, which was written at lightening speed: 900 pages in only 18 months, won the 1990 NCR Book Award. However, Schama’s emphasis on the terror and violence of the revolution and his argument, that from its beginning it was a ‘sacrament of blood’, ensured it has never found a publisher in France. He is now professor in history and art history at Columbia where he has written Landscape and Memory which received the W H Smith Literary Award and Rembrandt’s Eyes . The latter is a controversial reassessment of the artist which attempts to reinstate the notion of Rembrandt the genius, aiming to invoke the atmosphere as well as the historical context. In Schama’s view, as he tells David D’Arcy in Art Newspaper ‘There are some passages of sublime reinvention for which history has absolutely no answers…it seems to me pointless and trivial to pretend that it does.’

Simon Schama has also worked for the BBC on a 16 part series: ‘A History of Britain’ and has been an art critic and cultural essayist for The New Yorker and Talk magazine. He lives in New York with his wife and their two children Chloe and Gabriel.

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Simon Schama

Simon Schama

Books from Simon Schama

The Power of Art

A History of Britain: At the Edge of the World? 3500 BC-AD 1603

Rembrandt's Eyes

The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age

A History of Britain: The Wars of the British 1603-1776

The Story of the Jews: Finding the Words, 1000 BCE – 1492 CE

A History of Britain: The Fate Of Empire 1776-2000

Rough Crossings: Britain, the Slaves and the American Revolution

Flesh in the Age of Reason: The Modern Foundations of Body and Soul

Citizens: A Chronicle of the French Revolution

Art

The Story of the Jews Volume 2: When Words Fail: 1492--Present

Landscape and Memory

The Global Refugee Crisis: How Should We Respond?

The Death of the Past

Belonging: The Story of the Jews 1492–1900

Remembered Light: Cy Twombly in Lexington

Fifty Years of Works on Paper: The Drawings at the Hermitage

Patriots and Liberators: Revolution in the Netherlands, 1780-1813

The Story of the Jews: Belonging (1492-1900) (Vol 2)