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Terrance Lindall

4.2/5 ( ratings)
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Terrance Lindall produced art for Warren Publishing's Creepy, Eerie and Vampirella, for Heavy Metal magazine, for the Epic Comics imprint of Marvel Comics and for Rod Serling's Twilight Zone Magazine. In the book Ghastly Terror: The Horrible Story of the Horror Comics, ", Stephen Sennitt credits Lindall with the attempt to save the line of Warren horror magazines from extinction through his new style of cover art.
Lindall's book Paradise Lost Illustrated has been compared to other Milton illustrators including William Blake. According to New York University professor Karen Karbiener, many students prefer Lindall's version, which appeared in Heavy Metal magazine and has a popular following among young people. Professor Karbiener, a Ph.D. in English and Comparative Literature at Columbia University, gave a lecture at the Williamsburg Art & Historical Center in 2004 on "...Milton's Satan and his impact on countercultural artistic movements from William Blake to the Beat poets in essence, the artists "between" Milton and Lindall [3], the radical artistic legacy." Lindall owns Charles Lamb's copy of the first illustrated 1691 edition of Paradise Lost, as well as Lady Pomfret’s copy of the first illustrated edition . Pomfret was a noble 18th-century British woman of great learning, and the Lady of the Bedchamber of Queen Caroline.[4].

Terrance Lindall

4.2/5 ( ratings)
Website
Go to Website
Terrance Lindall produced art for Warren Publishing's Creepy, Eerie and Vampirella, for Heavy Metal magazine, for the Epic Comics imprint of Marvel Comics and for Rod Serling's Twilight Zone Magazine. In the book Ghastly Terror: The Horrible Story of the Horror Comics, ", Stephen Sennitt credits Lindall with the attempt to save the line of Warren horror magazines from extinction through his new style of cover art.
Lindall's book Paradise Lost Illustrated has been compared to other Milton illustrators including William Blake. According to New York University professor Karen Karbiener, many students prefer Lindall's version, which appeared in Heavy Metal magazine and has a popular following among young people. Professor Karbiener, a Ph.D. in English and Comparative Literature at Columbia University, gave a lecture at the Williamsburg Art & Historical Center in 2004 on "...Milton's Satan and his impact on countercultural artistic movements from William Blake to the Beat poets in essence, the artists "between" Milton and Lindall [3], the radical artistic legacy." Lindall owns Charles Lamb's copy of the first illustrated 1691 edition of Paradise Lost, as well as Lady Pomfret’s copy of the first illustrated edition . Pomfret was a noble 18th-century British woman of great learning, and the Lady of the Bedchamber of Queen Caroline.[4].

Books from Terrance Lindall

The Bottomless Bottle of Beer

4.3/5 ( ratings)

Heavy Metal, October 1979

4/5 ( ratings)

The Paradise Lost Gold Folio

5/5 ( ratings)

Massurealism and the Death of Art: Progress, Overcoming and the Irreversibility of the Avante-garde

5/5 ( ratings)

The New International Surrealist Manifesto: And The Metaphysical Manifestations of Art in the Latter 20th Century

5/5 ( ratings)

The End of Civilization: Standing at the Edge of Oblivion in Our Times

5/5 ( ratings)

Phantasmagoric Prophecies in Art: From the work of Terrance Lindall and Bienvenido Bones Banez

5/5 ( ratings)

The End of Civilization: Standing at the Edge of Oblivion in Our Times

5/5 ( ratings)

The End of Civilization: Standing at the Edge of Oblivion in Our Times

5/5 ( ratings)

The Diaries of Illustrator Terrance Lindall: Illustrator for Creepy, Eerie, Vampirella and Heavy Metal

5/5 ( ratings)
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