Read Anywhere and on Any Device!

Subscribe to Read | $0.00

Join today and start reading your favorite books for Free!

Create Free Account

Quick and Easy Sign Up!

It takes less then 1 minute to sign up, then you can enjoy Unlimited eBooks.

Sign Up Browse

Popular Genres

Read Anywhere and on Any Device!

  • Download on iOS
  • Download on Android
  • Download on iOS

The Repeating Image: Multiples in French Painting from David to Matisse

The Repeating Image: Multiples in French Painting from David to Matisse

Charles F. Stuckey
0/5 ( ratings)
Read Download
An authoritative and elegant study of the theme of repetition in early modern painting

Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gérôme, Corot, Millet, Monet, Cézanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film—with their intrinsic attributes of repetition—did not diminish the traditional medium of painting but rather propelled it in new directions.




Distributed for the Walters Art Museum
Language
English
Pages
200
Format
Hardcover
Release
November 14, 2007
ISBN 13
9780300126693

The Repeating Image: Multiples in French Painting from David to Matisse

Charles F. Stuckey
0/5 ( ratings)
Read Download
An authoritative and elegant study of the theme of repetition in early modern painting

Today serial imagery dominates all forms of visual media, from advertising to conceptual sculpture. In this innovative project, the authors show that the phenomenon of repetition appears as a radical element in early modern painting, long before its embrace by 20th-century high modernism. In works by Ingres, Delaroche, Gérôme, Corot, Millet, Monet, Cézanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the 19th and early 20th centuries. By making multiples of closely related subject matter in their paintings, the authors argue, these painters challenged an aesthetic based on the notion of an inimitable, unique masterpiece. Through beautiful illustrations and essays by leading scholars, this book ultimately shows how the 19th-century invention of photography and film—with their intrinsic attributes of repetition—did not diminish the traditional medium of painting but rather propelled it in new directions.




Distributed for the Walters Art Museum
Language
English
Pages
200
Format
Hardcover
Release
November 14, 2007
ISBN 13
9780300126693

More books from Charles F. Stuckey

Rate this book!

Write a review?

loader