This critical collection examines the way in which M. John Harrison has been at the forefront of British speculative fiction, from the New Wave to the New Weird and beyond, excoriating its lumpy prose, refusing its cheap consolations, and reinventing its most debased forms. Along with his depictions of a fallen world, of fragile humanity, entropic landscapes and self-harming trajectories, of transport cafes, moorland peaks and legendary cities, reinvented sword'n'sorcery, space opera and supernatural horror as profound meditations on desire and loss.
This critical collection examines the way in which M. John Harrison has been at the forefront of British speculative fiction, from the New Wave to the New Weird and beyond, excoriating its lumpy prose, refusing its cheap consolations, and reinventing its most debased forms. Along with his depictions of a fallen world, of fragile humanity, entropic landscapes and self-harming trajectories, of transport cafes, moorland peaks and legendary cities, reinvented sword'n'sorcery, space opera and supernatural horror as profound meditations on desire and loss.