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True to the Spirit: Film Adaptation and the Question of Fidelity

True to the Spirit: Film Adaptation and the Question of Fidelity

Colin MacCabe
3.1/5 ( ratings)
Fifty percent of Hollywood productions each year are adaptations--films that use an already published book, dramatic work, or comic as their source material. If the original is well known, then for most spectators the question of whether these adaptations are true to the spirit of the
original is central. The recent wave of adaptation studies dismisses the question of fidelity as irrelevant, mistaken, or an affront to the unstable nature of meaning itself. The essays gathered here, mixing the field's top authorities with fresh new
voices, take the question of correspondence between source and adaptation as seriously as do producers and audiences. Spanning examples from Shakespeare to Ghost World, and addressing such notable directors as Welles, Kubrick, Hawks, Tarkovsky, and Ophuls, the contributors write against the grain of
recent adaption studies by investigating the question of what fidelity might mean in its broadest and truest sense, what it might reveal of the adaptive process, and why it is still one of the richest veins of investigation in the study of cinema.
Language
English
Pages
264
Format
Paperback
Publisher
Oxford University Press, USA
Release
January 26, 2012
ISBN
0195374673
ISBN 13
9780195374674

True to the Spirit: Film Adaptation and the Question of Fidelity

Colin MacCabe
3.1/5 ( ratings)
Fifty percent of Hollywood productions each year are adaptations--films that use an already published book, dramatic work, or comic as their source material. If the original is well known, then for most spectators the question of whether these adaptations are true to the spirit of the
original is central. The recent wave of adaptation studies dismisses the question of fidelity as irrelevant, mistaken, or an affront to the unstable nature of meaning itself. The essays gathered here, mixing the field's top authorities with fresh new
voices, take the question of correspondence between source and adaptation as seriously as do producers and audiences. Spanning examples from Shakespeare to Ghost World, and addressing such notable directors as Welles, Kubrick, Hawks, Tarkovsky, and Ophuls, the contributors write against the grain of
recent adaption studies by investigating the question of what fidelity might mean in its broadest and truest sense, what it might reveal of the adaptive process, and why it is still one of the richest veins of investigation in the study of cinema.
Language
English
Pages
264
Format
Paperback
Publisher
Oxford University Press, USA
Release
January 26, 2012
ISBN
0195374673
ISBN 13
9780195374674

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