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Michelangelo Pistoletto: From One to Many, 1956-1974

Michelangelo Pistoletto: From One to Many, 1956-1974

Jean-François Chevrier
4/5 ( ratings)
One of Europe’s most influential contemporary artists, Michelangelo Pistoletto has persistently investigated and expanded the role of the spectator in art since the 1950s through painting, sculpture, and performance. His present standing as an inspirational figure among younger artists is a testament to the innovative vitality that characterizes all his work, from early paintings and leadership in the Arte Povera movement to his influence on current participatory artistic practices.

This handsomely illustrated book features works created from 1956 to 1974, many never exhibited in the United States, as well as a selection of the artist’s writings. Contributors to the book discuss the context of Pistoletto’s art, including the social and artistic climate of Turin and the relationship between his work and American Pop art, conceptual art, minimalism, and post-minimalism.
Language
English
Pages
416
Format
Hardcover
Publisher
Yale University Press
Release
November 18, 2010
ISBN
0300166168
ISBN 13
9780300166163

Michelangelo Pistoletto: From One to Many, 1956-1974

Jean-François Chevrier
4/5 ( ratings)
One of Europe’s most influential contemporary artists, Michelangelo Pistoletto has persistently investigated and expanded the role of the spectator in art since the 1950s through painting, sculpture, and performance. His present standing as an inspirational figure among younger artists is a testament to the innovative vitality that characterizes all his work, from early paintings and leadership in the Arte Povera movement to his influence on current participatory artistic practices.

This handsomely illustrated book features works created from 1956 to 1974, many never exhibited in the United States, as well as a selection of the artist’s writings. Contributors to the book discuss the context of Pistoletto’s art, including the social and artistic climate of Turin and the relationship between his work and American Pop art, conceptual art, minimalism, and post-minimalism.
Language
English
Pages
416
Format
Hardcover
Publisher
Yale University Press
Release
November 18, 2010
ISBN
0300166168
ISBN 13
9780300166163

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