After spending some thirty years as an 'unofficial' artist behind the Iron Curtain of the former Soviet Union, Ilya Kabakov first came to the attention of the West in the 1980s. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century, with installations that speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. His installations are, in some instances, akin to theatrical mise-en-scenes, reproducing a cramped communal apartment or a flooded art museum as a site of Schadenfreude-like comedies on human frustration and doomed aspirations. Alternating between light-hearted irony and genuine tragedy, Kabakov evokes a shadowy world lit by a twenty-watt bulb in which fable-like miracles might occur: a homespun cosmonaut may fly into space, or the radio/television aerial may spell out a poem against the sky. Ilya Kabakov's work has featured in the world's most significant surveys of contemporary art, among them Documenta IX , and the Whitney Biennial . In 1993 Kabakov represented Russia at the 45th Venice Biennale.
Pages
878
Format
Paperback
Release
September 01, 1993
ISBN 13
9780810925441
Ilya Kabakov: The Fly With the Wings/Mental Institution, or Institute of Creative Research/the Red Wagon/We Are Leaving Here Forever!/Limited Edition
After spending some thirty years as an 'unofficial' artist behind the Iron Curtain of the former Soviet Union, Ilya Kabakov first came to the attention of the West in the 1980s. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century, with installations that speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. His installations are, in some instances, akin to theatrical mise-en-scenes, reproducing a cramped communal apartment or a flooded art museum as a site of Schadenfreude-like comedies on human frustration and doomed aspirations. Alternating between light-hearted irony and genuine tragedy, Kabakov evokes a shadowy world lit by a twenty-watt bulb in which fable-like miracles might occur: a homespun cosmonaut may fly into space, or the radio/television aerial may spell out a poem against the sky. Ilya Kabakov's work has featured in the world's most significant surveys of contemporary art, among them Documenta IX , and the Whitney Biennial . In 1993 Kabakov represented Russia at the 45th Venice Biennale.