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Philosophers and Thespians: Thinking Performance

Philosophers and Thespians: Thinking Performance

Freddie Rokem
3.1/5 ( ratings)
The interaction between philosophy and theater or performance has recently become an important and innovative area of inquiry. Philosophers and Thespians contributes to this emerging field by looking at four direct encounters between philosophers and thespians, beginning with Socrates, Agathon, and Aristophanes in Plato's Symposium and ending with a discussion between Walter Benjamin and Bertolt Brecht about a short text by Franz Kafka. Rokem also examines in detail Hamlet's complex and tragic split identity as both philosopher and thespian, as well as the intense correspondence between Friedrich Nietzsche and August Strindberg. His investigations—which move between the fictional and the historical—culminate in a comprehensive discussion of the notions of performance and performativity as derived from the discursive practices of philosophy and performance. At times competitive or mutually exclusive, these discourses also merge and engage with each other in creative ways.
Language
English
Pages
248
Format
Paperback
Publisher
Stanford University Press
Release
December 02, 2009
ISBN
080476350X
ISBN 13
9780804763509

Philosophers and Thespians: Thinking Performance

Freddie Rokem
3.1/5 ( ratings)
The interaction between philosophy and theater or performance has recently become an important and innovative area of inquiry. Philosophers and Thespians contributes to this emerging field by looking at four direct encounters between philosophers and thespians, beginning with Socrates, Agathon, and Aristophanes in Plato's Symposium and ending with a discussion between Walter Benjamin and Bertolt Brecht about a short text by Franz Kafka. Rokem also examines in detail Hamlet's complex and tragic split identity as both philosopher and thespian, as well as the intense correspondence between Friedrich Nietzsche and August Strindberg. His investigations—which move between the fictional and the historical—culminate in a comprehensive discussion of the notions of performance and performativity as derived from the discursive practices of philosophy and performance. At times competitive or mutually exclusive, these discourses also merge and engage with each other in creative ways.
Language
English
Pages
248
Format
Paperback
Publisher
Stanford University Press
Release
December 02, 2009
ISBN
080476350X
ISBN 13
9780804763509

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