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The Writing of Art

The Writing of Art

Olivier Berggruen
4.2/5 ( ratings)
This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. In Mercure , Picasso collapses the tradition of classical ballet into the visual arts; Paul Klee, in his work from the Thirties, searches for a purity of language reminiscent of German Romanticism; with his concept of the Void, Yves Klein emphasizes that, within the context of art, ritualized performance can lead to a radical loss of ego; Ed Ruscha’s gunpowder drawings from the Sixties offer visual paradoxes and question the boundaries between art and language; and in Twombly’s Bacchus paintings, movement becomes a metaphor for the Dionysian forces
that shape history.
Language
English
Pages
176
Format
Paperback
Publisher
Pushkin Press
Release
May 15, 2012
ISBN
1906548625
ISBN 13
9781906548629

The Writing of Art

Olivier Berggruen
4.2/5 ( ratings)
This collection of essays offers different ways of seeing twentieth-century art via the medium of aesthetics. In Mercure , Picasso collapses the tradition of classical ballet into the visual arts; Paul Klee, in his work from the Thirties, searches for a purity of language reminiscent of German Romanticism; with his concept of the Void, Yves Klein emphasizes that, within the context of art, ritualized performance can lead to a radical loss of ego; Ed Ruscha’s gunpowder drawings from the Sixties offer visual paradoxes and question the boundaries between art and language; and in Twombly’s Bacchus paintings, movement becomes a metaphor for the Dionysian forces
that shape history.
Language
English
Pages
176
Format
Paperback
Publisher
Pushkin Press
Release
May 15, 2012
ISBN
1906548625
ISBN 13
9781906548629

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