Poetry. "Lisa Lubasch's rich extended poem, TWENTY-ONE AFTER DAYS, snarls and snags the comfortable fabric we perceive as knowledge. Her ingenious knittong of language--a "luminous scatter"--skillfully works a continuous syntactic suspension: tugged between entry and obstacle, "lingering--on the brink of conjecture--what is imminent is the chasing." The threadbare schemes by which we make meaning and narrative are exposed here; certainty is revealed as sorrowfully impossilbe. Yet we are persuaded with the poet that "patience may bloom backward into knowledge." The empathetic intelligence from which this poetry emerges offers consolation, a deft cupping of "the form's suggestion."--Elizabeth Robinson. Lisa Lubasch's previous collections are TO TELL THE LAMP, VICINITIES, and HOW MANY MORE OF THEM ARE YOU?, all currently available from SPD.
Poetry. "Lisa Lubasch's rich extended poem, TWENTY-ONE AFTER DAYS, snarls and snags the comfortable fabric we perceive as knowledge. Her ingenious knittong of language--a "luminous scatter"--skillfully works a continuous syntactic suspension: tugged between entry and obstacle, "lingering--on the brink of conjecture--what is imminent is the chasing." The threadbare schemes by which we make meaning and narrative are exposed here; certainty is revealed as sorrowfully impossilbe. Yet we are persuaded with the poet that "patience may bloom backward into knowledge." The empathetic intelligence from which this poetry emerges offers consolation, a deft cupping of "the form's suggestion."--Elizabeth Robinson. Lisa Lubasch's previous collections are TO TELL THE LAMP, VICINITIES, and HOW MANY MORE OF THEM ARE YOU?, all currently available from SPD.