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Abel Ferrara

Abel Ferrara

Adrian Martin
0/5 ( ratings)
Nicole Brenez argues for Abel Ferrara’s place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara’s oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible .
Language
English
Pages
232
Format
Paperback
Publisher
University of Illinois Press
Release
December 20, 2006
ISBN
0252074114
ISBN 13
9780252074110

Abel Ferrara

Adrian Martin
0/5 ( ratings)
Nicole Brenez argues for Abel Ferrara’s place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara’s oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible .
Language
English
Pages
232
Format
Paperback
Publisher
University of Illinois Press
Release
December 20, 2006
ISBN
0252074114
ISBN 13
9780252074110

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