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Tonality 1900-1950: Concept and Practice

Tonality 1900-1950: Concept and Practice

Ullrich Scheideler
3/5 ( ratings)
Tonality - or the feeling of key in music - achieved crisp theoretical definition in the early 20th century, even as the musical avant-garde pronounced it obsolete. The notion of a general collapse or loss of tonality, ca. 1910, remains influential within music historiography, and yet the textbook narrative sits uneasily with a continued flourishing of tonal music throughout the past century. Tonality, from an early 21st-century perspective, never did fade from cultural attention; but it remains a prismatic formation, defined as much by ideological-cultural valences as by its role in technical understandings of musical practice. Tonality 1900-1950: Concept and Practice brings together new essays by 15 leading American and European scholars.
Language
English
Pages
276
Format
Hardcover
Publisher
Franz Steiner Verlag Wiesbaden GmbH
Release
June 22, 2012
ISBN
3515101608
ISBN 13
9783515101608

Tonality 1900-1950: Concept and Practice

Ullrich Scheideler
3/5 ( ratings)
Tonality - or the feeling of key in music - achieved crisp theoretical definition in the early 20th century, even as the musical avant-garde pronounced it obsolete. The notion of a general collapse or loss of tonality, ca. 1910, remains influential within music historiography, and yet the textbook narrative sits uneasily with a continued flourishing of tonal music throughout the past century. Tonality, from an early 21st-century perspective, never did fade from cultural attention; but it remains a prismatic formation, defined as much by ideological-cultural valences as by its role in technical understandings of musical practice. Tonality 1900-1950: Concept and Practice brings together new essays by 15 leading American and European scholars.
Language
English
Pages
276
Format
Hardcover
Publisher
Franz Steiner Verlag Wiesbaden GmbH
Release
June 22, 2012
ISBN
3515101608
ISBN 13
9783515101608

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