Read Anywhere and on Any Device!

Subscribe to Read | $0.00

Join today and start reading your favorite books for Free!

Create Free Account

Impressionism and Post-Impressionism at the Dallas Museum of Art: The Richard R. Brettell Lecture Series

Dorothy Kosinski

4.5/5 ( ratings)

Impressionism and Post-Impressionism at the Dallas Museum of Art offers a series of intimate case studies in the history of 19th-century European art. Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists. Opening with a new reading of one of Gustave Courbet’s great hunting scenes, The Fox in the Snow, and ending with an exploration of a group of interior scenes by Edouard Vuillard, each essay stands alone as a richly contextualized reading of a single work or group of works by one artist. The authors approach their subjects from a range of methodological perspectives, but all pay close attention to the experience of making and viewing works of art.

Pages: 176

Format: Paperback

Publisher: Dallas Museum of Art

Release: October 29, 2013

ISBN: 0300187572

ISBN 13: 9780300187571

Impressionism and Post-Impressionism at the Dallas Museum of Art: The Richard R. Brettell Lecture Series

Dorothy Kosinski

4.5/5 ( ratings)

Impressionism and Post-Impressionism at the Dallas Museum of Art offers a series of intimate case studies in the history of 19th-century European art. Inspired by a series of public lectures given at the Dallas Museum of Art between 2009 and 2013, the volume comprises twelve beautifully illustrated essays from leading academics and museum specialists. Opening with a new reading of one of Gustave Courbet’s great hunting scenes, The Fox in the Snow, and ending with an exploration of a group of interior scenes by Edouard Vuillard, each essay stands alone as a richly contextualized reading of a single work or group of works by one artist. The authors approach their subjects from a range of methodological perspectives, but all pay close attention to the experience of making and viewing works of art.

Pages: 176

Format: Paperback

Publisher: Dallas Museum of Art

Release: October 29, 2013

ISBN: 0300187572

ISBN 13: 9780300187571

More books from Dorothy Kosinski

Henry Moore: Sculpting the Twentieth Century

3.8/5 ( ratings)

Per Kirkeby: Paintings and Sculpture

4.1/5 ( ratings)

Van Gogh's Sheaves of Wheat

4.3/5 ( ratings)

Matisse: Painter as Sculptor

3.8/5 ( ratings)

Dialogues: Duchamp, Cornell, Johns, Rauschenberg

3.6/5 ( ratings)

Painting the Universe; Frantisek Kupka; Pioneer in Abstraction

4.5/5 ( ratings)

Masterpieces from Swiss Private Collections: From Manet to Gauguin

2.5/5 ( ratings)

Gauguin to Picasso: Masterworks from Switzerland, the Staechelin & Im Obersteg Collections

Markus L�pertz

Seeing Differently: The Phillips Collects for a New Century

Pousette-Dart: Predominantly White Paintings

The Artist and the Camera: Degas to Picasso

Rate this book!

Write a review?