In Peter Handke's play Kaspar, a young man is forced to learn to speak: a process that is a form of physical torture to him. In Jane Austen's Mansfield Park, the young heroine desires to keep as silent as possible, since speech directed at her causes such pain. We are not allowed to remain silent, even when the cost of speech is torture and pain.
Silence and Subject in Modern Literature uses a wide variety of texts from forms such as the modern crime novel, via popular classics from authors such as Jane Austen, to avant-garde plays by Samuel Beckett and Handke, to study literary representations of the power relations in which we are forced to speak. Informed by critical theory by Foucault and Bakhtin among others, and touching on fields as diverse as rhetoric, feminism, and the concept of literature, Silence and Subject in Modern Literature engages closely with a central issue in modern life: spoken violence.
Pages
232
Format
Hardcover
Publisher
Palgrave Macmillan
Release
October 04, 2013
ISBN
1137350989
ISBN 13
9781137350985
Silence and Subject in Modern Literature: Spoken Violence
In Peter Handke's play Kaspar, a young man is forced to learn to speak: a process that is a form of physical torture to him. In Jane Austen's Mansfield Park, the young heroine desires to keep as silent as possible, since speech directed at her causes such pain. We are not allowed to remain silent, even when the cost of speech is torture and pain.
Silence and Subject in Modern Literature uses a wide variety of texts from forms such as the modern crime novel, via popular classics from authors such as Jane Austen, to avant-garde plays by Samuel Beckett and Handke, to study literary representations of the power relations in which we are forced to speak. Informed by critical theory by Foucault and Bakhtin among others, and touching on fields as diverse as rhetoric, feminism, and the concept of literature, Silence and Subject in Modern Literature engages closely with a central issue in modern life: spoken violence.