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Humbug: A Neo-Victorian Fantasy in Verse

Humbug: A Neo-Victorian Fantasy in Verse

Brenda Hammack
4.4/5 ( ratings)
"In poems that 'tease reality' in their conflation of scholarship and fabulae, Brenda Mann Hammack draws on and subverts the conventions of late 19th century British literary tradition in her rendering of Victorine, 'a child who won’t die, won’t grow old,' and her companions, including gargoyles and 'a bird crossed with a cat,' whose creation is 'not contingent on God.' Playful, surreal, brilliant in its darkly luminous habitations in which spirits are given meaning, Humbug is craftily wrought and eerily pleasurable." –Michael Waters



"The Humbug—what is it? A delightful creature? A misshapen mash-up leading to odd adventure? A Dickensian mis-imagining? Brenda Hammack has created in Humbug a macabre, oddly charming and disturbingly odd story. Something between a novella in verse and a poem with prose interludes.



The humbug and his human companion Victorine escape from a house of small horrors created by a mage of sorts and his female counterpart, a medium with migraine and multiple bottled still-born babes. The medium is also Victorine’s mother, at least in name. As a hob and gargoyles come to life and inhabit a neo-Victorian world that appears to be part Dickens, part Lewis Carroll, with generous dashes of Beardsley and Belloc, the verse weaves and dodges from brilliant rhymes toward couplets, free verse, and then prose, creating a metrical tour de force that will engage the skeptical even in the face of Ouija boards, mesmerism, and mediums. A must-read for neo-Victorians, steampunk lovers, and connoisseurs of the occult who have a sense of humor." –Mary Ellis Gibson



"The thing I have loved most, from first reading and through subsequent visits, about these poems is the way one is drawn into who Victorine is and how she feels. Her moods become rooms. Her companions are places as much as people. Time stops and sits a spell, whether for delight, horror, or fascination. If you remember losing a day in a square yard’s worth of grass and twigs and earth and pebbles, with ants and dragonflies for company; or, more recently, you’ve warded yourself against the flat cold of a winter’s day with only a hot cuppa and your favorite woolens; then I feel the enchantment in these poems will be well worth whiling away the day down into evening." –Dan Campbell
Format
Paperback
ISBN 13
9781467578233

Humbug: A Neo-Victorian Fantasy in Verse

Brenda Hammack
4.4/5 ( ratings)
"In poems that 'tease reality' in their conflation of scholarship and fabulae, Brenda Mann Hammack draws on and subverts the conventions of late 19th century British literary tradition in her rendering of Victorine, 'a child who won’t die, won’t grow old,' and her companions, including gargoyles and 'a bird crossed with a cat,' whose creation is 'not contingent on God.' Playful, surreal, brilliant in its darkly luminous habitations in which spirits are given meaning, Humbug is craftily wrought and eerily pleasurable." –Michael Waters



"The Humbug—what is it? A delightful creature? A misshapen mash-up leading to odd adventure? A Dickensian mis-imagining? Brenda Hammack has created in Humbug a macabre, oddly charming and disturbingly odd story. Something between a novella in verse and a poem with prose interludes.



The humbug and his human companion Victorine escape from a house of small horrors created by a mage of sorts and his female counterpart, a medium with migraine and multiple bottled still-born babes. The medium is also Victorine’s mother, at least in name. As a hob and gargoyles come to life and inhabit a neo-Victorian world that appears to be part Dickens, part Lewis Carroll, with generous dashes of Beardsley and Belloc, the verse weaves and dodges from brilliant rhymes toward couplets, free verse, and then prose, creating a metrical tour de force that will engage the skeptical even in the face of Ouija boards, mesmerism, and mediums. A must-read for neo-Victorians, steampunk lovers, and connoisseurs of the occult who have a sense of humor." –Mary Ellis Gibson



"The thing I have loved most, from first reading and through subsequent visits, about these poems is the way one is drawn into who Victorine is and how she feels. Her moods become rooms. Her companions are places as much as people. Time stops and sits a spell, whether for delight, horror, or fascination. If you remember losing a day in a square yard’s worth of grass and twigs and earth and pebbles, with ants and dragonflies for company; or, more recently, you’ve warded yourself against the flat cold of a winter’s day with only a hot cuppa and your favorite woolens; then I feel the enchantment in these poems will be well worth whiling away the day down into evening." –Dan Campbell
Format
Paperback
ISBN 13
9781467578233

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