Nathaniel Tarn’s Lyrics for the Bride of God, a book-length poem composed over the course of five years, represents the author’s most sustained effort since The Beautiful Contradictions . The Bride, first appearing at the end of that volume, here dominates the entire work in fulfilling her ultimate kabbalistic task: the return of the holy sparks, dispersed among mankind at the creation, to their original Source. In this, the Bride undergoes exile in the guise of a very human woman––constantly changing identity, species, race, color, age, and even sex; ranging through many different mythical and historical settings; raising a host of political issues from ecology to feminism: and creating, against Tarn’s anthropological background, an astonishing cosmos propelled by the eternal interaction of male and female. Perhaps the author’s most dramatic work, the Lyrics reflect a time of personal tension and loss, a time of exile from Europe transformed into a fervent adoption, on a continental scale, of his new American milieu. Overall, it is Tarn’s expansive, energetic woridview that makes the work cohere. At a time when so much poetry lacks either head or heart, Tarn clearly hopes that, in the Lyrics, both have full sway.
Nathaniel Tarn’s Lyrics for the Bride of God, a book-length poem composed over the course of five years, represents the author’s most sustained effort since The Beautiful Contradictions . The Bride, first appearing at the end of that volume, here dominates the entire work in fulfilling her ultimate kabbalistic task: the return of the holy sparks, dispersed among mankind at the creation, to their original Source. In this, the Bride undergoes exile in the guise of a very human woman––constantly changing identity, species, race, color, age, and even sex; ranging through many different mythical and historical settings; raising a host of political issues from ecology to feminism: and creating, against Tarn’s anthropological background, an astonishing cosmos propelled by the eternal interaction of male and female. Perhaps the author’s most dramatic work, the Lyrics reflect a time of personal tension and loss, a time of exile from Europe transformed into a fervent adoption, on a continental scale, of his new American milieu. Overall, it is Tarn’s expansive, energetic woridview that makes the work cohere. At a time when so much poetry lacks either head or heart, Tarn clearly hopes that, in the Lyrics, both have full sway.