Once upon a time, a king named David got the hots for a steamy little number named Bathsheba. Lucky for David, Mr. Bathsheba was busy being one of David’s best generals, so Bathsheba was home all by her lonesome...
See where this is heading? Of course you do.
So does Sarah Conrad, reluctant Bible scholar and unwilling paramour of televangelist Pastor Jimmy Jay Rayburn. It’s a destination she knows well. But the destination is only the beginning. Sarah doesn’t wind up sleeping with an aging “man of God” by accident. Eldest sister Elaine’s minister husband isn’t divorcing her on a whim. And middle sister Elizabeth doesn’t vanish in a fit of pique, leaving a dead dog, a roomful of blood, and Sarah and youngest Conrad DJ behind.
The Conrad children survive by keeping up appearances. But it costs them. When family patriarch Dan Conrad is diagnosed with terminal cancer and the children come home to help appearances are no longer enough, and tensions rise. When somebody winds up murdered the Conrads are forced to unravel their past in order to survive their present.
Set on a family farm in a fast-disappearing slice of America, Good on Paper is first and foremost a story in which to lose one’s self--readers consistently comment that they “couldn’t put it down.” But beyond that, the story raises questions. How do we determine who is “good?” How do we decide what is real? Do we respond to the victimization of others, and if so, how? How do we integrate a painful and abusive past into a vibrant and creative present and future? Above all, this story leaves readers wondering, with DJ Conrad, “...what it is about our family, our church, our society, that allows abusers to not only survive, but thrive.”
By turns infuriating, hilarious, magical, frightening, and lyrical, the Conrads’ story captures the paradox lying at the heart of abusive relationships, as well as the courage, honesty and humor that the Conrad children use to survive.
Tracing the Conrad chidren’s journey to healing and resolution makes for a powerful and haunting read, one that should appeal to a many, particularly those interested in understanding how the pain of an abusive past can become the fertile soil from which a rich, meaningful future can spring.
Once upon a time, a king named David got the hots for a steamy little number named Bathsheba. Lucky for David, Mr. Bathsheba was busy being one of David’s best generals, so Bathsheba was home all by her lonesome...
See where this is heading? Of course you do.
So does Sarah Conrad, reluctant Bible scholar and unwilling paramour of televangelist Pastor Jimmy Jay Rayburn. It’s a destination she knows well. But the destination is only the beginning. Sarah doesn’t wind up sleeping with an aging “man of God” by accident. Eldest sister Elaine’s minister husband isn’t divorcing her on a whim. And middle sister Elizabeth doesn’t vanish in a fit of pique, leaving a dead dog, a roomful of blood, and Sarah and youngest Conrad DJ behind.
The Conrad children survive by keeping up appearances. But it costs them. When family patriarch Dan Conrad is diagnosed with terminal cancer and the children come home to help appearances are no longer enough, and tensions rise. When somebody winds up murdered the Conrads are forced to unravel their past in order to survive their present.
Set on a family farm in a fast-disappearing slice of America, Good on Paper is first and foremost a story in which to lose one’s self--readers consistently comment that they “couldn’t put it down.” But beyond that, the story raises questions. How do we determine who is “good?” How do we decide what is real? Do we respond to the victimization of others, and if so, how? How do we integrate a painful and abusive past into a vibrant and creative present and future? Above all, this story leaves readers wondering, with DJ Conrad, “...what it is about our family, our church, our society, that allows abusers to not only survive, but thrive.”
By turns infuriating, hilarious, magical, frightening, and lyrical, the Conrads’ story captures the paradox lying at the heart of abusive relationships, as well as the courage, honesty and humor that the Conrad children use to survive.
Tracing the Conrad chidren’s journey to healing and resolution makes for a powerful and haunting read, one that should appeal to a many, particularly those interested in understanding how the pain of an abusive past can become the fertile soil from which a rich, meaningful future can spring.