A graphic biography of female novelist George Sand, whose life and work championed women’s rights, gender expression, and sexual liberation.
George True Genius, True Woman is a scrupulously researched and tenderly revealing biography of one of the great pioneering figures of 19th-century French literature. Born in 1804—at a time when women were deprived of their civil rights —Amantine Lucile Aurore Dupin grew up to defy those norms, both in her life and her writing. Adopting the gender-neutral pen name George Sand, and in a career lasting over forty years as a novelist and playwright, she is best remembered today for the affairs and friendships she enjoyed with the composer Chopin; the painter Delacroix; the novelist Balzac.
But this moving biographical portrait, written by award-winner Séverine Vidal and illustrated by Kim Consigny, restores her to the center stage she always commanded in her lifetime. Not just as the daring, scandalously cross-dressing, bisexual, cigarette-smoking divorcée novelist, but as the brilliant chronicler of her changing time—and therefore of ours.
A graphic biography of female novelist George Sand, whose life and work championed women’s rights, gender expression, and sexual liberation.
George True Genius, True Woman is a scrupulously researched and tenderly revealing biography of one of the great pioneering figures of 19th-century French literature. Born in 1804—at a time when women were deprived of their civil rights —Amantine Lucile Aurore Dupin grew up to defy those norms, both in her life and her writing. Adopting the gender-neutral pen name George Sand, and in a career lasting over forty years as a novelist and playwright, she is best remembered today for the affairs and friendships she enjoyed with the composer Chopin; the painter Delacroix; the novelist Balzac.
But this moving biographical portrait, written by award-winner Séverine Vidal and illustrated by Kim Consigny, restores her to the center stage she always commanded in her lifetime. Not just as the daring, scandalously cross-dressing, bisexual, cigarette-smoking divorcée novelist, but as the brilliant chronicler of her changing time—and therefore of ours.