re:skin

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In re: skin, scholars, essayists and short story writers offer their perspectives on
skin--as boundary and surface, as metaphor and physical reality. The twenty-first century and its
attendant technology call for a new investigation of the intersection of body, skin, and technology.
These cutting-edge writings address themes of skin and bodily transformation in an era in which we
are able not only to modify our own skins--by plastic surgery, tattooing, skin graft art, and other
methods--but to cross skins, merging with other bodies or colonizing multiple bodies.The book's
agile crossings of disciplinary and genre boundaries enact the very transformations they discuss. A
short story imagines a manufactured maternal interface that allows a man to become pregnant, and a
scholar describes the evolution of "body criticism"; a writer uses "faux science" to explore animal
prints on faux fur, and fictional lovers experience one another's sexual sensations through the
slipping on and off of skin-like bodysuits. Ubiquitous computational interfaces are considered as
the "skin" of technology, and questions of race and color are shown to play out in digital art
practice. The essays and narratives gathered in re: skin claim that the new technologically mutable
body is neither purely liberating nor simply limiting; instead, these pieces show us models, ways of
living in a technological culture.Contributors:Austin Booth, Rebecca Cannon, Model T and Sara
D, L. Timmel Duchamp, Mary Flanagan, Jewelle Gomez, Jennifer Gonzalez, Nalo Hopkinson, Alice
Imperiale, Shelley Jackson, Christina Lammer, David J. Leonard, Mendi + Keith Obadike, Melinda
Rackham, Vivian Sobchack, Elisabeth Vonarburg, Bernadette Wegenstein