Forty-one years after the bombing of Hiroshima and Nagasaki, award-winning journalist Max McCoy traveled to Japan to interview and photograph the survivors. "Zero Minutes to Midnight" is the result, a nonfiction narrative in eight parts which gives voice to those who witnessed nuclear apocalypse.
In Japanese, the survivors are called hibakusha -- literally, "those who received the bomb." Featured is the story of Yoshito Matsushige, the newspaper photographer who shot the only images of Hiroshima the day the bomb fell. A special section includes some of those historic photos, as well as black-and-white portraits of the survivors made by McCoy in 1986.
In a new introduction, the author recalls the effect of that trip on his own life, and in the afterword--written in the wake of Japan's March 2011 earthquake and nuclear meltdown--he reminds us that apocalypse is always only a minute away. At about 65 print pages, "Zero Minutes to Midnight" is long enough to present a compelling and historic portrait of the hibakusha, but short enough to read in a single sitting.
Forty-one years after the bombing of Hiroshima and Nagasaki, award-winning journalist Max McCoy traveled to Japan to interview and photograph the survivors. "Zero Minutes to Midnight" is the result, a nonfiction narrative in eight parts which gives voice to those who witnessed nuclear apocalypse.
In Japanese, the survivors are called hibakusha -- literally, "those who received the bomb." Featured is the story of Yoshito Matsushige, the newspaper photographer who shot the only images of Hiroshima the day the bomb fell. A special section includes some of those historic photos, as well as black-and-white portraits of the survivors made by McCoy in 1986.
In a new introduction, the author recalls the effect of that trip on his own life, and in the afterword--written in the wake of Japan's March 2011 earthquake and nuclear meltdown--he reminds us that apocalypse is always only a minute away. At about 65 print pages, "Zero Minutes to Midnight" is long enough to present a compelling and historic portrait of the hibakusha, but short enough to read in a single sitting.