Brazil's pressing socio-political questions as seen through the country's horror-film-influenced audio-visual production between 2008 and 2022.
Since the 2008 release of Embodiment of Evil, the third instalment in the Coffin Joe trilogy, which began with At Midnight I'll Take Your Soul, Brazil's audiovisual industry has been producing an increasing number of unsettling, often violent and frequently dystopian films, reflecting the wide-ranging social, cultural, environmental and economic problems the country is facing.
This edited volume by scholars from Brazil, the United Kingdom and the United States discusses a broad selection of Brazilian audio-visual productions released between 2008 and 2022 which, through their use of aesthetic and narrative devices borrowed from horror cinema, shed light on the country's pressing socio-political questions. Mostly by first-time directors, these productions bear witness to a second 'Golden Age' of Brazilian horror cinema and ultimately serve to illustrate, in audio-visual form, the tensions at the heart of Brazilian society in the second decade of the twenty-first century.
Language
English
Pages
445
Format
Kindle Edition
Release
February 25, 2025
Brazilian Horror Cinema in the Twenty-First Century: Neo-Fascism, Disaffection, Resistance (Tamesis Studies in Popular and Digital Cultures Book 6)
Brazil's pressing socio-political questions as seen through the country's horror-film-influenced audio-visual production between 2008 and 2022.
Since the 2008 release of Embodiment of Evil, the third instalment in the Coffin Joe trilogy, which began with At Midnight I'll Take Your Soul, Brazil's audiovisual industry has been producing an increasing number of unsettling, often violent and frequently dystopian films, reflecting the wide-ranging social, cultural, environmental and economic problems the country is facing.
This edited volume by scholars from Brazil, the United Kingdom and the United States discusses a broad selection of Brazilian audio-visual productions released between 2008 and 2022 which, through their use of aesthetic and narrative devices borrowed from horror cinema, shed light on the country's pressing socio-political questions. Mostly by first-time directors, these productions bear witness to a second 'Golden Age' of Brazilian horror cinema and ultimately serve to illustrate, in audio-visual form, the tensions at the heart of Brazilian society in the second decade of the twenty-first century.