Michael Bailey’s new novel charts the unsettling and powerful story of one young man’s slide into a confused reality.
‘I have been hugely inspired by JD Salinger – The Catcher in the Rye,’ observes Edinburgh author Michael. ‘I enjoy using the first person narrative and this style works well with An Hour in the Darkness.’
Michael’s novel begins when his narrator, Franklin, suffers a bang on his head that jars his grasp on reality. Franklin begins his desperate journey through his home town in his search of love, forgiveness and understanding. He finds comfort in conversations with his young sister Jenny – but as he reveals himself to be a highly unreliable narrator, we must ask if Jenny exists or is merely a figment of his troubled mind?
Franklin is increasingly losing touch with reality when, against the backdrop of a local landmark he meets a man he believes to be God. This stranger tells of his own son who had similar problems and in his increasing confusion Franklin believes the man is likening him to Jesus. As Franklin’s life spirals further out of control his behaviour becomes ever more erratic, culminating in his touching, frightening attempts to win the affections of market-girl Ronnie, who is fascinated and frightened in turn by this strange, funny, ill young man.
Dealing with such universal themes as loss, love, guilt, forgiveness, relationships and mental health, this is an unsettling, but powerful, novel which will appeal to readers of books such as The Shock of the Fall.
Michael Bailey’s new novel charts the unsettling and powerful story of one young man’s slide into a confused reality.
‘I have been hugely inspired by JD Salinger – The Catcher in the Rye,’ observes Edinburgh author Michael. ‘I enjoy using the first person narrative and this style works well with An Hour in the Darkness.’
Michael’s novel begins when his narrator, Franklin, suffers a bang on his head that jars his grasp on reality. Franklin begins his desperate journey through his home town in his search of love, forgiveness and understanding. He finds comfort in conversations with his young sister Jenny – but as he reveals himself to be a highly unreliable narrator, we must ask if Jenny exists or is merely a figment of his troubled mind?
Franklin is increasingly losing touch with reality when, against the backdrop of a local landmark he meets a man he believes to be God. This stranger tells of his own son who had similar problems and in his increasing confusion Franklin believes the man is likening him to Jesus. As Franklin’s life spirals further out of control his behaviour becomes ever more erratic, culminating in his touching, frightening attempts to win the affections of market-girl Ronnie, who is fascinated and frightened in turn by this strange, funny, ill young man.
Dealing with such universal themes as loss, love, guilt, forgiveness, relationships and mental health, this is an unsettling, but powerful, novel which will appeal to readers of books such as The Shock of the Fall.