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Travels of Bollywood Cinema:: From Bombay to La

Travels of Bollywood Cinema:: From Bombay to La

Chua Beng Huat
0/5 ( ratings)
The book examines the historical and spatial flows of Indian popular cinema from Bombay and other production centres on the Indian subcontinent to different spaces of consumption for nearly a century culminating in the Bollywood-inspired-Oscar-winning film Slumdog Millionaire.
Bringing together essays by eminent scholars of anthropology, history, and cultural, media, communication, and film studies, this volume shows that Bollywood cinema has always crossed borders and boundaries. The book argues that Bollywood has had a century-long history of travelling to the British
Malaya, Fiji, Guyana, Trinidad, Mauritius, East and South Africa with the old diasporas, and with and without the new diasporas to the former USSR, West Asia, the UK, the USA, Canada, and Australia. It brings together perspectives on Indian cinema from different disciplinary and geographical
locations to re-conceptualize the understanding of national cinemas. The book looks at the meaning of nation, diaspora, home, and identity in cinematic texts and contexts, and examines the ways in which localities are produced in the new global process by broadly addressing nationalism, regionalism,
and transnationalism, politics and aesthetics, and spectatorship and viewing contexts.
Pages
388
Format
Paperback
Publisher
Oxford University Press, USA
Release
February 01, 2015
ISBN
0199454159
ISBN 13
9780199454150

Travels of Bollywood Cinema:: From Bombay to La

Chua Beng Huat
0/5 ( ratings)
The book examines the historical and spatial flows of Indian popular cinema from Bombay and other production centres on the Indian subcontinent to different spaces of consumption for nearly a century culminating in the Bollywood-inspired-Oscar-winning film Slumdog Millionaire.
Bringing together essays by eminent scholars of anthropology, history, and cultural, media, communication, and film studies, this volume shows that Bollywood cinema has always crossed borders and boundaries. The book argues that Bollywood has had a century-long history of travelling to the British
Malaya, Fiji, Guyana, Trinidad, Mauritius, East and South Africa with the old diasporas, and with and without the new diasporas to the former USSR, West Asia, the UK, the USA, Canada, and Australia. It brings together perspectives on Indian cinema from different disciplinary and geographical
locations to re-conceptualize the understanding of national cinemas. The book looks at the meaning of nation, diaspora, home, and identity in cinematic texts and contexts, and examines the ways in which localities are produced in the new global process by broadly addressing nationalism, regionalism,
and transnationalism, politics and aesthetics, and spectatorship and viewing contexts.
Pages
388
Format
Paperback
Publisher
Oxford University Press, USA
Release
February 01, 2015
ISBN
0199454159
ISBN 13
9780199454150

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