Mollie Panter-Downes not only wrote short stories but also non-fiction ‘Letters from London’ for The New Yorker. She wrote her first one on September 3rd 1939; on May 12th 1945 she wrote her hundred and fifty-third.
Her New Yorker obituary observed: ‘Other correspondents were writing about the war, of course, often with great power and conviction, but they dealt with large incidents and events, while Mollie wrote of the quotidian stream of English life, of what it was like to actually live in a war, of what the government was doing, of the nervous sound of the air-raid sirens, of the disappearance of the egg, of children being evacuated – of all the things that made life in England bearable and unbearable. In a steady flow of copy, directed to editors she had never met at a magazine she had never visited, she undoubtedly did more to explain wartime England to American readers than anyone else in the field.'
Mollie Panter-Downes not only wrote short stories but also non-fiction ‘Letters from London’ for The New Yorker. She wrote her first one on September 3rd 1939; on May 12th 1945 she wrote her hundred and fifty-third.
Her New Yorker obituary observed: ‘Other correspondents were writing about the war, of course, often with great power and conviction, but they dealt with large incidents and events, while Mollie wrote of the quotidian stream of English life, of what it was like to actually live in a war, of what the government was doing, of the nervous sound of the air-raid sirens, of the disappearance of the egg, of children being evacuated – of all the things that made life in England bearable and unbearable. In a steady flow of copy, directed to editors she had never met at a magazine she had never visited, she undoubtedly did more to explain wartime England to American readers than anyone else in the field.'