The meticulous practice of photographer Hiroshi Sugimoto is like that of a painter's. Inspired by Marcel Duchamp's obsession with the mechanics of space and the mathematical foundations of his works, such as "The Bride Stripped Bare by Her Bachelors, Even" , Sugimoto photographed nineteenth-century mathematical models from the collection at the Komaba Museum at the University of Tokyo, which also features the third and last authorized replica of Duchamp's "Large Glass." Like the models that Man Ray photographed in the 1930s at the Institut Henri Poincare in Paris, these objects also require a visual understanding of complicated trigonometry functions. This is the first publication to compare and contrast Sugimoto's photographs of mathematical models with his own mathematical models--computer-controlled precision tools made of aluminum.
Pages
96
Format
Hardcover
Release
March 24, 2015
ISBN 13
9783775739214
Hiroshi Sugimoto: Conceptual Forms and Mathematical Models
The meticulous practice of photographer Hiroshi Sugimoto is like that of a painter's. Inspired by Marcel Duchamp's obsession with the mechanics of space and the mathematical foundations of his works, such as "The Bride Stripped Bare by Her Bachelors, Even" , Sugimoto photographed nineteenth-century mathematical models from the collection at the Komaba Museum at the University of Tokyo, which also features the third and last authorized replica of Duchamp's "Large Glass." Like the models that Man Ray photographed in the 1930s at the Institut Henri Poincare in Paris, these objects also require a visual understanding of complicated trigonometry functions. This is the first publication to compare and contrast Sugimoto's photographs of mathematical models with his own mathematical models--computer-controlled precision tools made of aluminum.