Julian Rosefeldt's films are permeated with slapstick and satire. According to critic Stephan Berg, they avoid political correctness while playing with vocabularies of kitsch, inappropriateness and exaggeration. They "distort--in the best sense of the word--the world to a point where it is no longer recognizable."
Julian Rosefeldt's films are permeated with slapstick and satire. According to critic Stephan Berg, they avoid political correctness while playing with vocabularies of kitsch, inappropriateness and exaggeration. They "distort--in the best sense of the word--the world to a point where it is no longer recognizable."