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4 saints in 3 acts: A snapshot of the American avant-garde in the 1930s

4 saints in 3 acts: A snapshot of the American avant-garde in the 1930s

John Sears
0/5 ( ratings)
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material – many images reproduced for the first time – alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
Language
English
Pages
200
Format
Paperback
Release
December 03, 2017
ISBN 13
9781526113030

4 saints in 3 acts: A snapshot of the American avant-garde in the 1930s

John Sears
0/5 ( ratings)
Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material – many images reproduced for the first time – alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
Language
English
Pages
200
Format
Paperback
Release
December 03, 2017
ISBN 13
9781526113030

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