This oddly titled, but glorious volume . [which] appeared in 1902 under the Grant Richards imprint, is a collection of four novellas loosely linked by both a common theme and the reappearance of certain minor characters from one tale to another. Stylistically, the novellas are a great improvement over the earlier short stories. O'Sullivan has discovered humor, albeit of a midnight-black variety, and perhaps a new literary master as well. The lean, razor-sharp intelligence of Baudelaire that had heretofore served as O'Sullivan's literary Pharos has been supplanted by a more discursive, grandly baroque manner of expression. O'Sullivan now sounds like nothing so much as an English-language Leon Bloy.
The first section, "Of Kindred," presents another mysterious stranger offering a deal too good to be true to another desperate protagonist. But whereas in the earlier story, "The Bargain of Rupert Orange," the Mephistopheles figure is a real demon, and Orange, a man within an ace of starving to death in a garret, in this tale an aging titled hypochondriac has a run-in with a mysterious German academic with a novel theory on the prolongation of life. The black humor aspect involves one enemy misunderstanding the arrangement and literally killing the goose that laid the golden egg." - Andrew Mangravite.
This oddly titled, but glorious volume . [which] appeared in 1902 under the Grant Richards imprint, is a collection of four novellas loosely linked by both a common theme and the reappearance of certain minor characters from one tale to another. Stylistically, the novellas are a great improvement over the earlier short stories. O'Sullivan has discovered humor, albeit of a midnight-black variety, and perhaps a new literary master as well. The lean, razor-sharp intelligence of Baudelaire that had heretofore served as O'Sullivan's literary Pharos has been supplanted by a more discursive, grandly baroque manner of expression. O'Sullivan now sounds like nothing so much as an English-language Leon Bloy.
The first section, "Of Kindred," presents another mysterious stranger offering a deal too good to be true to another desperate protagonist. But whereas in the earlier story, "The Bargain of Rupert Orange," the Mephistopheles figure is a real demon, and Orange, a man within an ace of starving to death in a garret, in this tale an aging titled hypochondriac has a run-in with a mysterious German academic with a novel theory on the prolongation of life. The black humor aspect involves one enemy misunderstanding the arrangement and literally killing the goose that laid the golden egg." - Andrew Mangravite.