This shows the continual regeneration of his abiding concerns: language, class, education, and the ownership of culture; negotiations between the sexes; social preoccupations, grudges, rages, and self-interrogation. Harrison's public voice is represented in a selection of his longer poems, and in extracts from his theatre poetry: The Oresteia, Medea: a sex-war opera, The Trackers of Oxyrhynchus, The Common Chorus, Square Rounds and Poetry or Bust.
This shows the continual regeneration of his abiding concerns: language, class, education, and the ownership of culture; negotiations between the sexes; social preoccupations, grudges, rages, and self-interrogation. Harrison's public voice is represented in a selection of his longer poems, and in extracts from his theatre poetry: The Oresteia, Medea: a sex-war opera, The Trackers of Oxyrhynchus, The Common Chorus, Square Rounds and Poetry or Bust.