The Poisoned Dream is definitely engaged literature, that is, it takes political sides, but it is not an explicitly partisan combat literature. It is neither party dogma, nor is it a statement on the platonic character of the oppressed. Kaviyalahan does not pen eulogies for the Tigers, nor does he dismiss them outright as some of his doggedly cynical contemporaries in Tamil literature do. He shows life as life was, not how it should have been or could have been. He writes with literary honesty about the past, but with a committed concern for the future. His is a dark novel, but the light is not something external to the darkness, but within it. The antidote to the poisoned dream is within the dream itself. Gouthaman and his comrades do not come with answers or grand judgments; they have pertinent questions though, questions that need to be addressed by those intent on continuing the struggle for Tamil Eelam.
The Poisoned Dream is definitely engaged literature, that is, it takes political sides, but it is not an explicitly partisan combat literature. It is neither party dogma, nor is it a statement on the platonic character of the oppressed. Kaviyalahan does not pen eulogies for the Tigers, nor does he dismiss them outright as some of his doggedly cynical contemporaries in Tamil literature do. He shows life as life was, not how it should have been or could have been. He writes with literary honesty about the past, but with a committed concern for the future. His is a dark novel, but the light is not something external to the darkness, but within it. The antidote to the poisoned dream is within the dream itself. Gouthaman and his comrades do not come with answers or grand judgments; they have pertinent questions though, questions that need to be addressed by those intent on continuing the struggle for Tamil Eelam.