The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui’s most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter’s coming to terms with her mother’s Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonated strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favorite among returning Hong Kong emigrants and international cinema students alike.
Pages
160
Format
Kindle Edition
Publisher
Hong Kong University Press
Release
November 29, 2010
Ann Hui’s Song of the Exile (The New Hong Kong Cinema)
The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three decades, Hui has been director, producer, writer and actress for more than 30 films. In this work, Audrey Yue analyses a 1990 film considered by many to be one of Hui’s most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter’s coming to terms with her mother’s Japanese identity. Themes of cross-cultural alienation, divided loyalties and generational reconciliation resonated strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favorite among returning Hong Kong emigrants and international cinema students alike.