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Cemetery Dance: Issue 51

Cemetery Dance: Issue 51

Robert Morrish
5/5 ( ratings)
3 • Words from the Editors • [Editorial ] • essay by Robert Morrish
3 • Words from the Editors • [Editorial ] • essay by Richard Chizmar
4 • A Conversation with Stephen Laws • interview of Stephen Laws • interview by Rick Kleffel
14 •  Outrage • interior artwork by Chad Savage
15 • Outrage • short story by Stephen Laws
22 • Author's Note • essay by Stephen Laws
24 • From the Dead Zone: Stephen King News • [From the Dead Zone] • essay by Bev Vincent
30 •  S& Man • interior artwork by Julia Morgan-Scott
31 • S& Man • short story by J. T. Petty
38 • Any Way You Slice It, It's Still Just a Loaf ... • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
42 •  Watermelon • interior artwork by Alex McVey
43 • Watermelon • short story by Scott Nicholson
48 • Waves of Fear • essay by Paula Guran
50 •   Review: Murder of Angels by Caitlín R. Kiernan • review by Paula Guran
51 •   Review: The Dry Salvages by Caitlín R. Kiernan • review by Paula Guran
51 •   Review: The Cat's Pajamas & Other Stories by James Morrow • review by Paula Guran
51 •   Review: A Dirge for the Temporal by Darren Speegle • review by Paula Guran
52 •  Special Delivery • interior artwork by Randy Broecker
53 • Special Delivery • short story by Bev Vincent
56 • MediaDrome • [MediaDrome] • essay by Michael Marano
62 • A Conversation with Sephera Giron • interview of Sèphera Girón • interview by Nathan Tyler
66 •  Binky • interior artwork by Chad Savage
67 • Binky • short story by Sèphera Girón
70 • Collecting Modern Horror • essay by John Pelan
72 • Smoke 'Em If You Got 'Em • essay by John Skipp
76 •  Burning Names • interior artwork by Alex McVey
77 • Burning Names • short story by Cody Goodfellow
82 • Our Ladies of Darkness: A Conversation with Chelsea Quinn Yarbro • interview of Chelsea Quinn Yarbro • interview by Hank Wagner
86 •  Mr. Goodnight • interior artwork by Alex McVey
87 • Mr. Goodnight • short story by Kealan Patrick Burke
92 • A Conversation with Steve Gerlach • interview of Steve Gerlach • interview by Ron Clinton
98 • Feature Review: In the Night Room • essay by Bev Vincent
98 •   Review: In the Night Room by Peter Straub • review by Bev Vincent
100 • CD Reviews • essay by various
100 • Review of the audio drama "Afterhell: Dark Descent" created by Joe Median • essay by Wayne Edwards
100 •   Review: 100 Jolts by Michael A. Arnzen • review by Hank Wagner
100 •   Review: The Atrocity Archives by Charles Stross • review by Rick Kleffel
101 •   Review: Banquet for the Damned by Adam L. G. Nevill • review by William P. Simmons
101 •   Review: Black Fire by James Kidman • review by Mark Louis Baumgart
101 •   Review: By Reason of Darkness by William P. Simmons • review by Garrett Peck
102 •   Review: Coffin Blues by Tom Piccirilli • review by Hank Wagner
102 •   Review: The Coma by Alex Garland • review by Rick Kleffel
102 •   Review: Compositions for the Young and Old by Paul G. Tremblay • review by David Niall Wilson
102 •   Review: CrissCross by F. Paul Wilson • review by Hank Wagner
103 •   Review: Damned: An Anthology of the Lost by David G. Barnett • review by William D. Gagliani
103 •   Review: Dark Places by Jon Evans • review by Wayne Edwards
103 •   Review: Dead Lines by Greg Bear • review by Rick Kleffel
104 •   Review: Deep Blue by David Niall Wilson • review by William D. Gagliani
104 •   Review: The Double Shadow by Clark Ashton Smith • review by William D. Gagliani
104 •   Review: Duel & The Distributor by Richard Matheson • review by William P. Simmons
104 • Review of nongenre Eye for an Eye by Joel Ross • essay by William D. Gagliani
105 •   Review: Dust of Eden by Thomas Sullivan • review by David Niall Wilson
106 • Review of the soundtrack to "Godzilla: 50th Anniversary Edition", music by Akira Ifukube • essay by Randall D. Larson
106 •   Review: Family Inheritance by Deborah LeBlanc • review by Hank Wagner
106 •   Review: Father Exorcist by K. Sheehan • review by Garrett Peck
106 •   Review: The First Cut by Peter Robinson • review by Wayne Edwards
107 •   Review: Green Grow the Rushes-Oh by Jay Lake • review by Rick Kleffel
107 •   Review: Havoc After Dark by Robert Fleming • review by Wayne Edwards
107 •   Review: In This Skin by Simon Clark • review by Hank Wagner
108 •   Review: Iron Council by China Miéville • review by Rick Kleffel
108 •   Review: The Labyrinth by Catherynne M. Valente • review by David Niall Wilson
108 •   Review: The Lebo Coven by Stephen Mark Rainey • review by David Niall Wilson
108 •   Review: Liquor by Poppy Z. Brite • review by Garrett Peck
109 •   Review: The Manor by Scott Nicholson • review by William P. Simmons
109 •   Review: Meg: Primal Waters by Steve Alten • review by Garrett Peck
109 •   Review: Morbid Tales by Quentin S. Crisp • review by William P. Simmons
110 •   Review: Mortal Companion by Patrick Califia • review by Wayne Edwards
110 •   Review: Necropolis by Tim Waggoner • review by David Niall Wilson
110 •   Review: Nightingale's Lament by Simon R. Green • review by Rick Kleffel
111 • Review of the video game "Siren" • essay by J. B. Fleming
111 •   Review: The Quick by Dan Vining • review by Wayne Edwards
111 •   Review: Species by Michael McBride • review by David Niall Wilson
111 •   Review: Spiral by 鈴木光司?
• review by Rick Kleffel
112 • Review of the soundtrack to "Terror Tract", music by Brian Tyler • essay by Randall D. Larson
112 •   Review: Vampire Dawn by Philip Henry • review by Wayne Edwards
Language
English
Pages
112
Format
Paperback
Publisher
Cemetery Dance Publications
Release
March 01, 2005

Cemetery Dance: Issue 51

Robert Morrish
5/5 ( ratings)
3 • Words from the Editors • [Editorial ] • essay by Robert Morrish
3 • Words from the Editors • [Editorial ] • essay by Richard Chizmar
4 • A Conversation with Stephen Laws • interview of Stephen Laws • interview by Rick Kleffel
14 •  Outrage • interior artwork by Chad Savage
15 • Outrage • short story by Stephen Laws
22 • Author's Note • essay by Stephen Laws
24 • From the Dead Zone: Stephen King News • [From the Dead Zone] • essay by Bev Vincent
30 •  S& Man • interior artwork by Julia Morgan-Scott
31 • S& Man • short story by J. T. Petty
38 • Any Way You Slice It, It's Still Just a Loaf ... • [The Mothers and Fathers Italian Association] • essay by Thomas F. Monteleone
42 •  Watermelon • interior artwork by Alex McVey
43 • Watermelon • short story by Scott Nicholson
48 • Waves of Fear • essay by Paula Guran
50 •   Review: Murder of Angels by Caitlín R. Kiernan • review by Paula Guran
51 •   Review: The Dry Salvages by Caitlín R. Kiernan • review by Paula Guran
51 •   Review: The Cat's Pajamas & Other Stories by James Morrow • review by Paula Guran
51 •   Review: A Dirge for the Temporal by Darren Speegle • review by Paula Guran
52 •  Special Delivery • interior artwork by Randy Broecker
53 • Special Delivery • short story by Bev Vincent
56 • MediaDrome • [MediaDrome] • essay by Michael Marano
62 • A Conversation with Sephera Giron • interview of Sèphera Girón • interview by Nathan Tyler
66 •  Binky • interior artwork by Chad Savage
67 • Binky • short story by Sèphera Girón
70 • Collecting Modern Horror • essay by John Pelan
72 • Smoke 'Em If You Got 'Em • essay by John Skipp
76 •  Burning Names • interior artwork by Alex McVey
77 • Burning Names • short story by Cody Goodfellow
82 • Our Ladies of Darkness: A Conversation with Chelsea Quinn Yarbro • interview of Chelsea Quinn Yarbro • interview by Hank Wagner
86 •  Mr. Goodnight • interior artwork by Alex McVey
87 • Mr. Goodnight • short story by Kealan Patrick Burke
92 • A Conversation with Steve Gerlach • interview of Steve Gerlach • interview by Ron Clinton
98 • Feature Review: In the Night Room • essay by Bev Vincent
98 •   Review: In the Night Room by Peter Straub • review by Bev Vincent
100 • CD Reviews • essay by various
100 • Review of the audio drama "Afterhell: Dark Descent" created by Joe Median • essay by Wayne Edwards
100 •   Review: 100 Jolts by Michael A. Arnzen • review by Hank Wagner
100 •   Review: The Atrocity Archives by Charles Stross • review by Rick Kleffel
101 •   Review: Banquet for the Damned by Adam L. G. Nevill • review by William P. Simmons
101 •   Review: Black Fire by James Kidman • review by Mark Louis Baumgart
101 •   Review: By Reason of Darkness by William P. Simmons • review by Garrett Peck
102 •   Review: Coffin Blues by Tom Piccirilli • review by Hank Wagner
102 •   Review: The Coma by Alex Garland • review by Rick Kleffel
102 •   Review: Compositions for the Young and Old by Paul G. Tremblay • review by David Niall Wilson
102 •   Review: CrissCross by F. Paul Wilson • review by Hank Wagner
103 •   Review: Damned: An Anthology of the Lost by David G. Barnett • review by William D. Gagliani
103 •   Review: Dark Places by Jon Evans • review by Wayne Edwards
103 •   Review: Dead Lines by Greg Bear • review by Rick Kleffel
104 •   Review: Deep Blue by David Niall Wilson • review by William D. Gagliani
104 •   Review: The Double Shadow by Clark Ashton Smith • review by William D. Gagliani
104 •   Review: Duel & The Distributor by Richard Matheson • review by William P. Simmons
104 • Review of nongenre Eye for an Eye by Joel Ross • essay by William D. Gagliani
105 •   Review: Dust of Eden by Thomas Sullivan • review by David Niall Wilson
106 • Review of the soundtrack to "Godzilla: 50th Anniversary Edition", music by Akira Ifukube • essay by Randall D. Larson
106 •   Review: Family Inheritance by Deborah LeBlanc • review by Hank Wagner
106 •   Review: Father Exorcist by K. Sheehan • review by Garrett Peck
106 •   Review: The First Cut by Peter Robinson • review by Wayne Edwards
107 •   Review: Green Grow the Rushes-Oh by Jay Lake • review by Rick Kleffel
107 •   Review: Havoc After Dark by Robert Fleming • review by Wayne Edwards
107 •   Review: In This Skin by Simon Clark • review by Hank Wagner
108 •   Review: Iron Council by China Miéville • review by Rick Kleffel
108 •   Review: The Labyrinth by Catherynne M. Valente • review by David Niall Wilson
108 •   Review: The Lebo Coven by Stephen Mark Rainey • review by David Niall Wilson
108 •   Review: Liquor by Poppy Z. Brite • review by Garrett Peck
109 •   Review: The Manor by Scott Nicholson • review by William P. Simmons
109 •   Review: Meg: Primal Waters by Steve Alten • review by Garrett Peck
109 •   Review: Morbid Tales by Quentin S. Crisp • review by William P. Simmons
110 •   Review: Mortal Companion by Patrick Califia • review by Wayne Edwards
110 •   Review: Necropolis by Tim Waggoner • review by David Niall Wilson
110 •   Review: Nightingale's Lament by Simon R. Green • review by Rick Kleffel
111 • Review of the video game "Siren" • essay by J. B. Fleming
111 •   Review: The Quick by Dan Vining • review by Wayne Edwards
111 •   Review: Species by Michael McBride • review by David Niall Wilson
111 •   Review: Spiral by 鈴木光司?
• review by Rick Kleffel
112 • Review of the soundtrack to "Terror Tract", music by Brian Tyler • essay by Randall D. Larson
112 •   Review: Vampire Dawn by Philip Henry • review by Wayne Edwards
Language
English
Pages
112
Format
Paperback
Publisher
Cemetery Dance Publications
Release
March 01, 2005

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