Charles Marowitz casts a critical eye upon the highpoints of the last theatrical decade, in preparation for a new millennium. In a series of reviews, think-pieces, and commentaries culled from publications as varied as The London Times and Theatre Week Magazine, Marowitz examines the work of such major playwrights as Mamet, Stoppard, Shepard, Neil Simon, Beckett, Gurney, Pinter, Kushner, Baitz, Shanley, Williams and McNalley. Marowitz dramatically captures the anger, anxiety, spectacle and questionable "correctness" that characterized the past decade.
Charles Marowitz casts a critical eye upon the highpoints of the last theatrical decade, in preparation for a new millennium. In a series of reviews, think-pieces, and commentaries culled from publications as varied as The London Times and Theatre Week Magazine, Marowitz examines the work of such major playwrights as Mamet, Stoppard, Shepard, Neil Simon, Beckett, Gurney, Pinter, Kushner, Baitz, Shanley, Williams and McNalley. Marowitz dramatically captures the anger, anxiety, spectacle and questionable "correctness" that characterized the past decade.