In the second and final installment of the Eisner-nominated online graphic novel, we follow Zeynel, a carpet merchant turned vampire, as he travels across the West in search of home, after the passing of his wife, Ayse. Through a young English friend, Alfred Grimsley, Zeynel moves to a quiet town in Southeast England. There he finds himself at the centre of a fad for all things Turkish, grappling with the meaning of home as it is distorted by the lens of Orientalism.
Three years later, he is surprised when he finds the vampire responsible for his death — Mora Strigoi — at his door begging for forgiveness. While Zeynel and Mora struggle to make sense of each other's differences, Alfred Grimsley uncovers a trail of blood made by a mysterious serial killer, and makes the terrifying discovery that it ends at the doorstep of his closest friend, Zeynel.
A modern Gothic satire, peeling apart the trope of vampire as 'the foreigner', and recognising that true vampirism is in the Western consumption of Eastern bodies and objects; and a dramatic narrative about the healing power of compassion, arising out of faith, love and legacy.
Language
English
Pages
332
Format
ebook
The Carpet Merchant of Konstantiniyya (TCM, Volume 2)
In the second and final installment of the Eisner-nominated online graphic novel, we follow Zeynel, a carpet merchant turned vampire, as he travels across the West in search of home, after the passing of his wife, Ayse. Through a young English friend, Alfred Grimsley, Zeynel moves to a quiet town in Southeast England. There he finds himself at the centre of a fad for all things Turkish, grappling with the meaning of home as it is distorted by the lens of Orientalism.
Three years later, he is surprised when he finds the vampire responsible for his death — Mora Strigoi — at his door begging for forgiveness. While Zeynel and Mora struggle to make sense of each other's differences, Alfred Grimsley uncovers a trail of blood made by a mysterious serial killer, and makes the terrifying discovery that it ends at the doorstep of his closest friend, Zeynel.
A modern Gothic satire, peeling apart the trope of vampire as 'the foreigner', and recognising that true vampirism is in the Western consumption of Eastern bodies and objects; and a dramatic narrative about the healing power of compassion, arising out of faith, love and legacy.