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Life: The Movie: How Entertainment Conquered Reality

Life: The Movie: How Entertainment Conquered Reality

Neal Gabler
0/5 ( ratings)
In Life the Movie: How Entertainment Conquered Reality, Neal Gabler traces the evolution of high and low culture in American society through the 19th and 20th centuries, and describes how low-brow entertainment became so influential in the United States. This is his central argument: "It is not any ism but entertainment that is arguably the most pervasive, powerful, and ineluctable force of our time--a force so overwhelming that it has finally metastasized into life." Although Gabler uses the word "metastasized," he doesn't seem to regard infotainment as a cancer that is destroying our society, but rather as something that grows rapidly and certainly worthy of close study. The scope of Gabler's investigation extends far beyond the movies to publishing, television news, paint brands, fashion--anything that seems to have been transformed by the national passion for low-brow entertainment. Along the way, Gabler raises a series of intriguing questions: Why do some people feel more passionately about celebrities than about their own loved ones? Why is Donald Trump a celebrity? Why was the broadcast of the 1996 Olympics packed with so many biopics that the sporting events seemed afterthoughts? Why does Ralph Lauren call the blue paint he sells "Lap Pool Blue"? Movies promote the fantasy that there are simple narrative solutions for all of life's problems. Movies are full of sex, scandal, gossip, and action. If our lives were movies, they would be more full of what Zsa Zsa Gabor once called "enchanting make-believe." In this book, Gabler demonstrates how this fantasy has shaped our society. --Jill Marquis
Release
January 01, 1998

Life: The Movie: How Entertainment Conquered Reality

Neal Gabler
0/5 ( ratings)
In Life the Movie: How Entertainment Conquered Reality, Neal Gabler traces the evolution of high and low culture in American society through the 19th and 20th centuries, and describes how low-brow entertainment became so influential in the United States. This is his central argument: "It is not any ism but entertainment that is arguably the most pervasive, powerful, and ineluctable force of our time--a force so overwhelming that it has finally metastasized into life." Although Gabler uses the word "metastasized," he doesn't seem to regard infotainment as a cancer that is destroying our society, but rather as something that grows rapidly and certainly worthy of close study. The scope of Gabler's investigation extends far beyond the movies to publishing, television news, paint brands, fashion--anything that seems to have been transformed by the national passion for low-brow entertainment. Along the way, Gabler raises a series of intriguing questions: Why do some people feel more passionately about celebrities than about their own loved ones? Why is Donald Trump a celebrity? Why was the broadcast of the 1996 Olympics packed with so many biopics that the sporting events seemed afterthoughts? Why does Ralph Lauren call the blue paint he sells "Lap Pool Blue"? Movies promote the fantasy that there are simple narrative solutions for all of life's problems. Movies are full of sex, scandal, gossip, and action. If our lives were movies, they would be more full of what Zsa Zsa Gabor once called "enchanting make-believe." In this book, Gabler demonstrates how this fantasy has shaped our society. --Jill Marquis
Release
January 01, 1998

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