Editor’s Note Jason Ray Carney
The City of Tombs George Jacobs
An Unforgiveable Interruption D.M. Ritzlin
The Stain on the Skull Simon Ruleman
The Augur of Khoalse Corey Graham
Dark Meditations J. Thomas Howard
The Mortal Essence Ulysses Maurer
Hounds Chuck Clark
Mother of Malevolence Chase Folmar
Raising Daughters S.E. Lindberg
The Slain of Talhn R. Sagus
Under the Oak Zack Taylor
Best Left to Professionals Jace Phelps
Rolf's Ride Frank Coffman
WHETSTONE is an amateur magazine that seeks to discover, inspire, and publish emerging authors who are enthusiastic about the tradition of "pulp sword and sorcery." Writers in this tradition include the following: Robert E. Howard, Fritz Leiber, Jack Vance, Michael Moorcock, Karl Edward Wagner, David C. Smith, and many more. "Pulp sword and sorcery" emphasizes active protagonists, supernatural menaces, and preindustrial settings. Some "pulp sword and sorcery" straddles the line between historical and fantasy fiction; at WHETSTONE, however, we prefer "secondary world settings," other worlds liberated from the necessity of historical accuracy.
Language
English
Pages
78
Format
PDF
Publisher
Whetstone
Release
December 04, 2020
Whetstone: Amateur Magazine of Sword and Sorcery Issue Two
Editor’s Note Jason Ray Carney
The City of Tombs George Jacobs
An Unforgiveable Interruption D.M. Ritzlin
The Stain on the Skull Simon Ruleman
The Augur of Khoalse Corey Graham
Dark Meditations J. Thomas Howard
The Mortal Essence Ulysses Maurer
Hounds Chuck Clark
Mother of Malevolence Chase Folmar
Raising Daughters S.E. Lindberg
The Slain of Talhn R. Sagus
Under the Oak Zack Taylor
Best Left to Professionals Jace Phelps
Rolf's Ride Frank Coffman
WHETSTONE is an amateur magazine that seeks to discover, inspire, and publish emerging authors who are enthusiastic about the tradition of "pulp sword and sorcery." Writers in this tradition include the following: Robert E. Howard, Fritz Leiber, Jack Vance, Michael Moorcock, Karl Edward Wagner, David C. Smith, and many more. "Pulp sword and sorcery" emphasizes active protagonists, supernatural menaces, and preindustrial settings. Some "pulp sword and sorcery" straddles the line between historical and fantasy fiction; at WHETSTONE, however, we prefer "secondary world settings," other worlds liberated from the necessity of historical accuracy.