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I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
I came to this collection as a strong Millar fan, so my high rating is unsurprising. This is a really good introduction/summary of Millar's work, and I hope it draws more attention his way. Some takeaways:Overtime is strongly represented. That's not surprising--to the limited extent that I know, I think that's considered his best collection. Fortune is the least represented, and it falls somewhere between the lengthy, vivid worlds painted in Overtime and the more sparse and unresolved descriptio...
