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the book is kill all the heroes is he kill all for they.
I found this set of stories to be middling at best. Parts were good but overall it was kind of a slog to get through.Spoilers...Deadpool is that rare character that works better the less developed he is. He's fun as a selfish, childlike, hedonistic mercenary with no moral compass and a thing for chimichangas. When the writers try to make him more human and sympathetic, he stops being fun. That was the biggest problem for me in this collection of (relatively) old stories about the Merc With A Mou...
Contains Deadpool #9-17 and Amazing Spider-man #47. This collection begins with a comic interlude, a one-off villain and a trip back in time which drops Deadpool in the middle of a classic Spiderman issue. The change of pace may be necessary and the Spiderman rewrite engages some ruthless self-mockery, but it's disappointing to put aside the question of Deadpool's morality. When it picks that back up, the collection improves. As he nears rock bottom, Deadpool's identity crisis grows less theoret...
The stories in this set show the darker side of Deadpool. It includes a time travel story that contrastins him with the "great responsibility" of a cleanbut 1967 Spiderman, and another arc where he completely snaps, dangerously turning on Blind Al and Weasel. The theme is further defined as: Can a PSYCHOPATH be saved? I'd put these books alongside The Punisher as not for the kiddies in spite of Deadpool's Cookie Monster houseslippers.
I recall reading these issues when they came out in the nineties, and while I some of the jokes fall rather flatter now than I remember them at the time, and this version of Deadpool has a definite "No homo" vibe that I find a bit off putting, and he is far from sympathetic, particularly when abusing Al and Weasel on panel, he is, of course, meant to be a bad person who is trying to change his ways to become good. While some of the jokes and references aren't fresh, others are still very funny (...
Dead Pool and the old girl live in a home or a serced hindout trying to go to the furch everthing when well but they have some problems happen that the thing do not work deadpool got mad thing do not go they when plan, but somehow deadpool when to the furch talk back a lot of times, so deadpool do his own wade he kell everbooy or not ever booy.
This book was okay, I just couldn’t pick it up like I didn’t go into it with much interest, I thought it was okay, I really did like the addition with Spider-Man, the Spider-Man issues are particularly what kept me interested in the book even if it’s Deadpool, overall it’s okay just is kind of slow and mostly conversation not much action.
An uneven volume. Some very good issues but the time-travel story to Silver Age Spider-Man land dragged on too long and the Blind Al in the box issue was unappealing, though redeemed later on by Deadpool's surprise remorse.
Another great collectionThe Deadpool classic saga is really engaging you will not be able to stop reading every issue.Definitely worth buying.
The Merc with a Mouth is at it again. Crazies are after him. He's being duped. Weasel realizes how crazy Wade really is and Blind Al won't give up. Tough love commences.
Read these last year, one here, one there. I do like it, but I find it best in small doses.
i feel like these comics are finally hitting their stride, but i just keep getting irritated with wade as a character
by far the best part of this collection is deadpool's relationships with weasel and alcw: ableism, violence, fatphobia, rape,
Ooof. Volume 3 of Deadpool is bizarre, but not in a good way. To describe it in one word, it's irritating. Deadpool isn't funny; he just mopes around the entire book feeling sorry for himself and doing really wacked up shit that isn't entertaining or interesting; it's just weird.
Blind Al is intriguing.
Ow yeah, Deadpool at his finest !Just love that sassiness ^^
So much SASS.
I have a completely irrational love of Deadpool. I admit it. I know he has weaknesses as a character (mostly that he just won't. shut. up.) but his over-the-top... everything has always appealed to me, especially when I was heavily reading angst-ridden X-books. Story-wise, this volume is particularly good. There's a really fun issue guest-starring Bullseye, an ambitious and sometimes hilarious Forrest Gump-style take on an old Spider-Man comic (reprinted in the collection so you can see how bad
Deadpool is about as funny as ever, but in this volume, the immediate pleasure of the story is definitely sacrificed to long-term plot plans. We start off with Deathtrap: a villain who traps Deadpool in a mechanism that kills him if he talks; this is the greatest possible villain for Deadpool, but he's unfortunately dispatched with too quickly. This is followed by a crossover with GLA, one of my personal favorite unpopular Marvel teams, leading directly to an incredibly-ambitious-but-really-pret...
Honestly, I didn't love it. Perhaps part my fault. Read this over a very long period. Picked it up and down a lot. The storyline seemed overly dense and convoluted. Am not really caring much for any of the characters at this point. They're all so bitter and mean. Sure sometimes there's a funny line here and there. But those are too few. I'm dedicated to reading Deadpool's collected editions so I'm hoping I'll find more to like in Vol. 4.
