This book addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that it's made, have not always been seen as pertinent. This volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation.
This book addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that it's made, have not always been seen as pertinent. This volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation.