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The Odd One In: On Comedy

The Odd One In: On Comedy

Alenka Zupančič
4.1/5 ( ratings)
Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupančič considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity.

Comedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of tarrying with a foreign object -- of including the exception. Philosophy's relationship to comedy, Zupančič writes, is not exactly a simple story . It could begin with the lost book of Aristotle's Poetics, which discussed comedy and laughter . But Zupančič draws on a whole range of philosophers and exemplars of comedy, from Aristophanes, Moliere, Hegel, Freud, and Lacan to George W. Bush and Borat. She distinguishes incisively between comedy and ideologically imposed, "naturalized" cheerfulness. Real, subversive comedy thrives on the short circuits that establish an immediate connection between heterogeneous orders. Zupančič examines the mechanisms and processes by which comedy lets the odd one in.
Language
English
Pages
230
Format
Paperback
Publisher
MIT Press
Release
March 01, 2008
ISBN
0262740311
ISBN 13
9780262740319

The Odd One In: On Comedy

Alenka Zupančič
4.1/5 ( ratings)
Why philosophize about comedy? What is the use of investigating the comical from philosophical and psychoanalytic perspectives? In The Odd One In, Alenka Zupančič considers how philosophy and psychoanalysis can help us understand the movement and the logic involved in the practice of comedy, and how comedy can help philosophy and psychoanalysis recognize some of the crucial mechanisms and vicissitudes of what is called humanity.

Comedy by its nature is difficult to pin down with concepts and definitions, but as artistic form and social practice comedy is a mode of tarrying with a foreign object -- of including the exception. Philosophy's relationship to comedy, Zupančič writes, is not exactly a simple story . It could begin with the lost book of Aristotle's Poetics, which discussed comedy and laughter . But Zupančič draws on a whole range of philosophers and exemplars of comedy, from Aristophanes, Moliere, Hegel, Freud, and Lacan to George W. Bush and Borat. She distinguishes incisively between comedy and ideologically imposed, "naturalized" cheerfulness. Real, subversive comedy thrives on the short circuits that establish an immediate connection between heterogeneous orders. Zupančič examines the mechanisms and processes by which comedy lets the odd one in.
Language
English
Pages
230
Format
Paperback
Publisher
MIT Press
Release
March 01, 2008
ISBN
0262740311
ISBN 13
9780262740319

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