Three essays express some fundamental issues addressed by ORCiM's research group focusing on the musician's relation to notation. Paulo de Assis argues that critical editions should generate critical users; Mieko Kanno contemplates the rapid expansion of the use of electronics in contemporary music. Juan Parra Cancino points toward a kind of composition whereby the performing and the listening experience don't aim to achieve a "final" version of the piece.
Language
English
Pages
48
Format
Paperback
Publisher
Leuven University Press
Release
July 09, 2010
ISBN
9490389021
ISBN 13
9789490389024
Dynamics Of Constraints: Essays On Notation, Editing, And Performance (Orpheus Research Centre In Music Series)
Three essays express some fundamental issues addressed by ORCiM's research group focusing on the musician's relation to notation. Paulo de Assis argues that critical editions should generate critical users; Mieko Kanno contemplates the rapid expansion of the use of electronics in contemporary music. Juan Parra Cancino points toward a kind of composition whereby the performing and the listening experience don't aim to achieve a "final" version of the piece.